Posted in Book Extras, For Fun

#Blog Tour: Project Pandora – Guest Post with author Aden Polydoros and more!

 

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Welcome to my stop on the Project Pandora tour! I’m so excited to share information about this great book with all of you – including a guest post by author Aden Polydoros! Enjoy!

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Links:

Link to Goodreads

Purchase Links: Amazon – B&N – iBooksKobo

Giveaway Details: Project Pandora Prize Pack (US) or a $10 Amazon Gift card (INT)

Book Description:

EntTeen-01224-webbanner-ad2-STATIC(800x800)opt2Tyler Bennett trusts no one. Just another foster kid bounced from home to home, he’s learned that lesson the hard way. Cue world’s tiniest violin. But when strange things start happening—waking up with bloody knuckles and no memory of the night before or the burner phone he can’t let out of his sight— Tyler starts to wonder if he can even trust himself.

Even stranger, the girl he’s falling for has a burner phone just like his. Finding out what’s really happening only leads to more questions…questions that could get them both killed. It’s not like someone’s kidnapping teens lost in the system and brainwashing them to be assassins or anything, right? And what happens to rogue assets who defy control?

In a race against the clock, they’ll have to uncover the truth behind Project Pandora and take it down—before they’re reactivated. Good thing the program spent millions training them to kick ass…

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Guest Post by Aden Polydoros: How to Handle Pressure: Writing Under Deadlines

I have never been great at deadlines. I have a natural tendency to procrastinate on my work and wait until the last minute to finish it. However, with writing, I have found that it is easier for me to meet deadlines than when I’m working on schoolwork or other tasks. I have also come up with different strategies to compensate for my procrastination.

It is important to approach writing as a job. Although I love to write and hope to make a full-time career out of writing, I don’t want to view writing as a hobby. If I allow myself to fall into that line of thought, completing work by deadlines will seem less important to me and I might procrastinate more than usual.

For me, there are two different kinds of deadlines for my writing: Those I choose for myself and those that are given to me. The deadlines I have created are usually very short term goals, like write 1,000 words a day or complete this chapter by the end of the week. By thinking about it like that, the process of writing a novel becomes less daunting. I don’t have to worry so much about completing an entire novel, and can divide my work into small, manageable tasks.

This was one of the strategies I used while working on Project Pandora. I made a list:

  • Overall goal: Aim for 1,000 words a day
  • Specific goals:
    Add more status reports
    Add a romantic scene
    Make an event calendar to check for consistency
    Check for name and appearance consistency
    Research the D.C. metro system
    Write an outline for second half of the book
    Change names

I try to approach editor-enforced deadlines in a similar fashion. For example, let’s say that I have to complete edits by September 31st and it is currently September 1st. Before I even begin edits, I make a list of what I have to do based off of my editor’s notes. I estimate the amount of words that will need to be added to the manuscript. In the case of Project Pandora, I added 40,000 words to my 65,000 manuscript over the course of the editing process. I had aimed to add only 25,000 words, but when I reached that goal, found that there was still so much more to elaborate upon. I had aimed for 1,000 words added and one chapter edited each day. When I began to increase my workload, it felt like I was accumulating bonus points at a game instead of just meeting a deadline. I tried to beat each day’s previous “score”, and in doing that, the process of editing actually became more enjoyable than it would have been otherwise.

Which brings me to my next point: it’s important to enjoy what you are doing if you want to meet deadlines. When so much creativity and emotion goes into writing, if you are miserable at what you are doing, it will show. Even if you don’t think that your story needs a specific edit or that one chapter is good as is, it is important not to become resentful about the deadline. I try to approach writing as a job, but that doesn’t mean I can’t have fun while doing it.

I try to set awards for myself for each goal I complete. Usually, these are small things, such as watching a certain show on Netflix, going somewhere fun, or eating one of my favorite foods. If you are also motivated by rewards, what you can do is set aside some money after completing each task. Maybe you put two or three dollars in a jar after completing each chapter. Once you reach the deadline and submit your writing, you can spend the money on something special that you have been wanting to buy. It will make the purchase even more enjoyable, knowing that you met the deadline on time.

One of the most important things to keep in mind while working with deadlines is that if you don’t have time, make time. If a deadline is quickly approaching, I will write on the bus or train, or while in the waiting room during doctor appointments. If I don’t have my journal or laptop near me, I write on my phone. You can also dictate on your phone. If necessary, I cancel plans to meet with friends so that I can make a deadline.

Aside from that, it’s also important to mention that you should keep your emotional and mental health in check. Completing deadlines is actually very stress-relieving for me, but there are times when I feel completely overwhelmed with the task ahead. If I also have other problems in my daily life, this only worsens my stress. That being said, if you have something going on or there is an emergency, don’t beat yourself up over not meeting a deadline.

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About the Author

Aden PolydorosAden Polydoros grew up in Long Grove, Illinois, the youngest of three children. Aden’s family moved to Arizona when he was in second grade. As a kid, he spent much of his time exploring the desert near his home. When he wasn’t searching for snakes and lizards, he was raiding the bookshelves of the local library. As a teenager, Aden decided that he wanted to be a writer. He spent his free time writing short stories. He was encouraged by his English teacher to try his hand at writing a novel, which inspired him to begin PROJECT PANDORA. The YA thriller is set for publication with Entangled Publishing in Summer of 2017. He is represented by Mallory Brown of Triada US.

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Posted in Author Q&As

Author Q&A: Affinity Konar, “Mischling”

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To celebrate the paperback release of the amazing and emotional read, “Mischling,” I got a chance to ask author Affinity Konar some questions about the novel. I am a big fan of her debut work so I am thrilled to share her answers with you!

And if you haven’t read the book yet, go get a copy; you won’t be disappointed.


Why was this subject important for you to write about?
It was so important to me actually, that I wanted to not write it. My family left Poland in 1932, and were harbored safely in America, so while I was growing up I always felt pulled back to the period, and to what could have been, if my ancestors weren’t offered this refuge. I think it’s necessary to live with that warning in the back of your mind, especially today, to let it echo in remembrance. When I was a teenager, I found the story of the twins in Children of the Flames by Lucette Lagnado, and so many of the testimonies approached questions of to how to retain one’s own humanity, how to survive, resist, and attempt to restore oneself after unimaginable trauma. After I read that, I couldn’t stop imagining a conversation between a pair of twins whose bond was their refuge, their means to survival.


How did you find the balance between such a dark subject and an ultimately uplifting story?
The trickiness of finding that balance is one of the reasons that the book took so long to write. One doesn’t want to impose any kind of veneer that might lessen the trauma of a very real experience. But I wanted to pay tribute to stories of incredible endurance that I can’t help but be inspired by, specifically because they arose out of the extreme darkness of Shoah. So managing this element came down to voice for me, in the end. The imagery that arises out of the voices of Stasha and Pearl may be charming, but they function as veils for horror. It was my hope that the very necessity for these veils–or the fact that the girls would resort to such transformative thinking–would magnify the true peril that they endure.


What is your advice to aspiring authors?
I have to quote Sarah Manguso from “300 Arguments”. “I’ve written whole books to avoid writing other books.” That was my life for a long time. Nothing that came out of that avoidance was very good. So I’d say that honoring your desire to write about what scares you most is important. If it’s not terrifying you on a certain level, if might feel necessary enough to bring out the best you have to offer as a writer. Also, oatmeal is cheap and nutritious when times are lean, dogs are good for getting you out of the house, and you should read everything you can, whether you’re drawn to the text or not, because it all informs the kind of stance you’ll take on the page


What are you working on next?
It feels odd to talk about this, because this book has felt like my life’s work, and I honestly never expected to finish it, much less start another. But I have found myself writing in hotel rooms while touring, so I guess I won’t be stopping any time soon? It’s currently in chaos, but it’s a chaos centered by a search for meaning and restoration, and I suspect that this is an element that will always be afoot in whatever I attempt to do.



About the Author

2894415Affinity Konar was raised in California. While writing MISCHLING, she worked as a tutor, proofreader, technical writer, and editor of children’s educational workbooks. She studied fiction at SFSU and Columbia. She is of Polish-Jewish descent, and currently lives in Los Angeles.

She dearly misses writing about Pearl and Stasha, and is grateful to any reader who might find the company of the twins.

Posted in Author Q&As, Book Extras

Goodreads celebrates “Mystery and Thriller Week” with Lisa Jackson Q&A!

NI’ve made no secret about the fact that Lisa Jackson is one of my favorite authors – so I was so excited to see that she is one of the authors featured in the Q&A section of Goodreads’ “Mystery and Thriller Week” feature.

Goodreads users were able to submit questions for Jackson to answer about writing, publishing and her characters.

Here’s my favorite bits below:

Continue reading “Goodreads celebrates “Mystery and Thriller Week” with Lisa Jackson Q&A!”

Posted in Uncategorized

Author Q&A: Randall Silvis

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To celebrate the release of the thriller “Two Days Gone,” I’m excited to be talking to author Randall Silvis about the story and its unique storyline, which follows both the killer and the police.

Be sure to check out a chapter one preview and enter for a chance to win a copy of the book!

Below, Silvia talks about the story’s origins, his favorite authors and whether we’ll see Ryan DeMarco in the future.

Where did you get the inspiration for this story?

Inspiration comes to me in bits and pieces: an intriguing setting, an interesting character, an unconventional premise, and sometimes just a provocative title. For Two Days Gone, the setting came first: I crossed Lake Wilhelm three days a week while commuting to the university, and each time was beguiled by the dark water, the woods, the bogs, the menacing possibilities. The setting dictated that the book would be a murder mystery. This required an investigator. The character of Sergeant Ryan DeMarco, a lonely, gruff, haunted man dragging himself through the misery of his life each day, grew a bit more each time I envisioned him standing beside the lake. I then decided to make the prime suspect an academic, but one who, like me, saw himself on the fringe of academia. I then decided that I wanted to feature the most horrific crime I could imagine. Once all those pieces fell into place, the storyline wrote itself.

This book has a lot of literary allusions and symbols. How did you decide to incorporate that theme?

My prime suspect is a writer and literature professor. How could there not be lots of literary allusions and symbols?

One of the major themes also is about love and what that means. Why did you decide to show these deep subplots – particularly with DeMarco?

Love is all that matters. Can anyone be truly happy if he has no one to love and isn’t loved in return? The novel is, as most of my stories are, about redemption; love is the ultimate redemption, and the lack of love the ultimate failure.

Both main characters are deeply flawed in some way but find some redemption. What do you want readers to take away from their situations?

All I hope is that the reader cares enough to share the characters’ journeys, and to be emotionally connected to them, and therefore to their own emotions.

Will we be seeing Trooper DeMarco again?

At least once more. The working title for the second DeMarco mystery is The Bones’ Embrace. I will continue the series as long as readers want me to, and as long as I can find new ways for DeMarco to grow.

What is the next project you’re working on?

In addition to The Bones’ Embrace, I am also working on another stand-alone crime novel titled Dancing on Water, and a mainstream/magic realism novel called Esperando.

Who are your favorite authors?

The writers I cut my teeth on are Hemingway, Faulkner, Garcia-Marquez, and Flannery O’Connor. I also love the poetical prose of William Gay, the gritty prose of Pete Dexter, the musical prose of James Lee Burke, the lyrical prose of Karen Russell, the playful prose of Vonnegut and Barthelme, and the often comma deficient prose of Jim Harrison. And there are many others whose writing I enjoy as well, such as Katherine Vaz and Edith Pearlman and Eco and Atwood and Mailer and more. I like writers who write differently—whose prose does not sound like everybody else’s prose and whose vision of the world is a little or a lot sideways to the rest of the world’s. I abhor the conventional and any writing that never yaws from the conventions of its genre.

For more on Silvis’ work, follow him on Twitter at https://twitter.com/randallsilvis

Posted in Uncategorized

Author Q&A: Derik Cavignano, “Colony of the Lost”

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What happens when you rebuild on the same site as a colony of settlers who just vanished into thin air? Could what threatened them come back around?

This idea is what Derik Cavignano explores in “Colony of the Lost,” a thriller that has a band of misfits coming together to defeat a threat to their modern-day town, which may have roots in Pilgrim times.

From the back of the book:

Nestled in the heart of the Berkshires lies Glenwood, Massachusetts–the perfect picture of suburbia. But when the children of this affluent town begin vanishing one by one, baffling local and federal authorities alike, Glenwood becomes anything but a utopia.

Built upon the ruins of a lost colony, Glenwood is home to a long-forgotten secret, and when three strangers are lured into the midnight woods by the phantom of a Puritan boy, they discover the truth of the town’s dark past and must face a vision of its bloody future.

Together, this unlikely trio–Jay, an alcoholic school teacher, Tim, a wise-cracking new kid in town, and Sarah, a nine-year-old with a host of imaginary friends–must somehow find a way to rescue the town from an ancient demon and its legion of human slaves. But in order for them to succeed, Jay must first conquer his own inner demons.

Below, Cavignano discusses his taut thriller and how it came about – as well as gives advice to fellow writers:

“Colony of the Lost” combines several different horror elements into one spooky tale; How would you describe your book to readers?

Colony of the Lost is about a trio of unlikely heroes who join forces to battle a terrifying evil threatening their town. It’s part ghost story, part creature feature, and even contains a bit of sci-fi and fantasy. It’s a character-driven story that pits good versus evil and celebrates the power of the human spirit.

Continue reading “Author Q&A: Derik Cavignano, “Colony of the Lost””